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The Asian comment was made in response to a tweet from a museum in Sydney, Australia, which read: 'How do you go about designing exhibition labels and information that are accessible to a wider range of people?'After the initial explanation, a further tweet from the British Museum read: 'We are limited by the length of labels.Dynasties and gods have different names in various Asian languages. Haven't you stolen enough history.'But others rallied behind the institution, questioning if saying sorry had really been appropriate.We want to focus on the stories.'Jane Portal, an expert on Asia who was behind the Tweets in question, studied Chinese at Cambridge followed by Korean at the University of London School of Oriental and African Studies (SOAS) – and then spent time living in the continent. Phil Pearson tweeted: 'Is an apology really necessary? Seems reasonable to me.'The initial remarks about Asian names had been posted at 10.14am today and by 11.48am, the British Museum had issued a statement.
That explains how I became a plate of liver and onions.” • “I used to think I was indecisive, but now I’m not too sure.” Remember the game “Telephone” from when you were a kid?They are just behaving like silly, narcissistic, teenagers.'Dr Tony Sewell, an education campaigner said the windfall of criticism directed at the London-based museum was an overreaction, adding: 'If you're protesting on a political row… Dr Sewell, a leading black academic, said: 'To be honest there are a lot worse things going on in the world, than to make that an issue to tear the museum down, for people to get offended about.'He added: 'Rather than protest on dodgy political grounds, make a protest which has a specific education reasonable grounds and then the museum can take that to heart but those protests weren't about that- they were about being politically offended.'Dr Sewell said it could consider having audio labels to help educate visitors but added that 'it shouldn't do that on the basis of a lobby group, conceding to that'.The online spat erupted during a lengthy 'ask a curator' Q&A where staff responded to those interested in the institution's work.periods, rulers, gods in different languages and cultures on labels.This is explored in more depth through our public programme – tours, lectures, exhibitions, research projects, school sessions etc.'This was later followed up with another post clarifying how labels were created, which read: 'The challenge with label-writing is not about whether people are able to understand or pronounce unfamiliar names, it is a question of whether we give multiple names to the same place/person/period in one label.'For any object in the Museum we try to make the label as clear as possible, to visitors of all origins, within a tight word limit.